|
1-to-1 Baroque Counterpoint Organized Over 3-Unit Bass Lines |
download PDF |
|
2-to-1 Baroque Counterpoint |
download PDF |
| 2-to-1 Bass Movement Contrary Motion |
download PDF |
|
3-Part Baroque Harmony and Counterpoint |
download PDF |
| 20th Century Diatonic Contrary Patterns |
download PDF |
| 10ths and Contrary Motion or Stationary Voices |
download PDF |
| 10ths and Inner Pedal |
download PDF |
| 4-to-1 and 3-to-1 Bass Dropping by 2nd |
download PDF |
| Application of 1-to-1 Counterpoint Studies |
download PDF |
| Bach Key Changes and Progressions |
download PDF |
| Bach-Type Pedal Points |
download PDF |
| Baroquish Wonder Other Chords and Progressions |
download PDF |
Baroque 2- and 3-Part Counterpoint Rhythmic Figures |
download PDF |
| Baroque 2-Voice Counterpoint |
download PDF |
| Baroque and Classical-Romantic Symmetric Progressions |
download PDF |
| Baroque Chord Progressions Contrapuntal Style, Part 1 |
download PDF |
| Baroque Chord Progressions Contrapuntal Style, Part 2 |
download PDF |
| Baroque Contrary Motion Sounds, 1982-05-07, 1983-10-17, 1980-05-29 |
download PDF |
|
Baroque Counterpoint (1-to-1) |
download PDF |
| Baroque Counterpoint: Top 2 Strings (mainly) |
download PDF |
| Baroque Counterpoint and the Guitar Fingerboard |
download PDF |
| Baroque Counterpoint: Cycle of 4ths - 2 Bass Notes per Chord |
download PDF |
| Baroque Counterpoint (2 Voices Yielding 3 via Ties) |
download PDF |
| Baroque Counterpoint Application of 1-to-1 Counterpoint |
download PDF |
| Baroque Cycle of 4ths |
download PDF |
| Baroque Cycle of 4ths Progressions in 2 Voices |
download PDF |
| Beginning Counterpoint, 2-Voice I-IV-V |
download PDF |
|
Baroque Harmonizations – Miscellaneous |
download PDF |
| Baroque Harmonizing of Repeated Descending 4ths |
download PDF |
Baroque in A |
download PDF |
| Baroque Major Key Vocabulary |
download PDF |
| Baroque Melodic Tendencies Organized over Basses |
download PDF |
| Baroque Minor Key Cycle of 4ths |
download PDF |
Baroque Minor Key Vocabulary and Exercises |
download PDF |
| Baroque Modulation or Secondary Chord Openers |
download PDF |
| Baroque Modulation Schemes |
download PDF |
| Baroque Practice Program |
download PDF |
| Baroque Progressions Using 1st Inversion Triads |
download PDF |
| Baroque Tonality Inspired by George Van Eps |
download PDF |
| Bass and Harmonically Organized 2-Part Counterpoint |
download PDF |
|
Bass in Ascending 6ths |
download PDF |
| Bass View and Summary of Baroque Harmonic Vocabulary |
download PDF |
| Cadences |
download PDF |
| Cadential Bass Formulas |
download PDF |
Catalogue of Common Baroque Harmonies and Their Progressions |
download PDF |
| Chart of Bass Harmonization for Baroque Period |
download PDF |
| Chorale Ideas |
download PDF |
| Chromatic Dm Fugue |
download PDF |
| Classical-Romantic Progressions |
download PDF |
| Common Baroque Harmonic Tendencies |
download PDF |
| Common Diatonic Chord Progressions in Baroque Harmony |
download PDF |
 Contrapuntal Elaboration |
download PDF |
| Counterpoint Based on Harmonic Intervals from Bass |
download PDF |
| Counterpoint Focusing on 3rds with 3, 4, & 5 of Key in Soprano |
download PDF |
|
Counterpoint Exercises: Adding a Part to Common Bass Lines |
download PDF |
| Counterpoint Exercises Focusing on Bass in Motion |
download PDF |
| Counterpoint Exercises Imitation |
download PDF |
| Counterpoint Exercises Implying One Chord with Series of Intervals |
download PDF |
| Counterpoint Exercises Lower Voice Movement |
download PDF |
Counterpoint Exercises - Major Key_p1 (02-10-78 & 06-28-78) |
download PDF |
| Counterpoint Exercises - Major Key_p2 (06-27-78 & 08-16-78) |
download PDF |
| Counterpoint Exercises Motion in Alternating Voices |
download PDF |
| Counterpoint Exercises Miscellaneous 01 |
download PDF |
| Counterpoint Exercises Miscellaneous 02 |
download PDF |
| Counterpoint Exercises - 2-to-1 (1978-02-24) |
download PDF |
| Counterpoint Over a Major Chord |
download PDF |
| Counterpoint Patterns/Progressions - Descending 3rd Progressions |
download PDF |
| Counterpoint Studies Bass Movement |
download PDF |
Counterpoint Types and Models |
download PDF |
| Delayed 2-Voice to 3 Voices |
download PDF |
| Descending 3rd Progressions of Cycle Progressions Over TR Pedal |
download PDF |
| Diatonic 6ths & Inner Pedals Leading into 6ths & Soprano Pedals |
download PDF |
| Diatonic 6ths and Inner Pedals: Introduction |
download PDF |
| Diatonic 6ths with Inner Pedals - Longer Phrases |
download PDF |
| Diatonic 6ths with Inner Pedal - A form of "Sustained Scale Technique" |
download PDF |
| Diatonic Chord Progressions, Short Phrases to Illustrate |
download PDF |
| Diatonic Cycles of 4ths Major Scale |
download PDF |
| Diatonic Harmony in 4ths or 5ths - Major Key |
download PDF |
| Dorian and Aeolian 6ths with Inner Pedals |
download PDF |
| Examples of Baroque Modulation |
download PDF |
| Examples of Progressions Using 1st Inversions |
download PDF |
|
Favorite Bachian Type Progressions in 6/8 |
download PDF |
| George Van Eps-ish Counterpoint |
download PDF |
Harmonic Patterns (1973) |
download PDF |
Harmonic Patterns (1976) |
download PDF |
Harmonic Patterns (1978) |
download PDF |
Harmonic Patterns Using Root Position Close Triads |
download PDF |
| Harmonization of Scalewise Melodies |
download PDF |
| Important (for me) Studies on 7b9 or Diminished 7 Counterpoint |
download PDF |
| Indicative Examples of Baroque For Improvisation and Composing |
download PDF |
| Intervals Used in Implied Major Triads |
download PDF |
| Melody and Harmony Relationships in Minor Keys |
download PDF |
| Modern Counterpoint Studies |
download PDF |
| Modulation (part 1) |
download PDF |
| Modulation (part 2) |
download PDF |
| Modulation (part 3) |
download PDF |
| Modulation (parts 4 & 5) |
download PDF |
| Mozartean 2-Part Counterpoint |
download PDF |
| Neo-Baroque Ascending Diatonic Bass Progressions |
download PDF |
Neo-Baroque Contrapuntal Harmony, 1990-09-14 |
download PDF |
| Neo-Baroque Descending Bass Progressions |
download PDF |
Neo-Baroque Light Colors: Diatonic Major Key |
download PDF |
Old Counterpoint Converted into Baroque Counterpoint |
download PDF |
| Phrases with Inversions and Embellishing Tones (Chorale Style) |
download PDF |
| Phrases with Root Position Triads (Chorale Style) |
download PDF |
| *Progressions Using 1st Inversions; Figured Bass |
download PDF |
| Progressions Using Open & Incomplete Triads Sample Solutions |
download PDF |
| Semi-Contrary, Real Contrary, Accompaniment Techniques, Broken Chords |
download PDF |
| Some of the Most Common Chord Progs_Baroque Major Harmony |
download PDF |
| Some Ways to Make Music with Triad Chord Scales |
download PDF |
Soprano Harmonization in the Baroque |
download PDF |
Soprano Harmonization or 1, 2, 3 (and 7) |
download PDF |
Sopranos and Basses to be Harmonized |
download PDF |
| Structures |
download PDF |
| Summary and Bass View of Baroque Harmony |
download PDF |
Summary of Diatonic Chord Progressions in Baroque Harmony |
download PDF |
| Top-End Open Triad Diatonic Cycle of 4ths |
download PDF |
Triads in 1st Inversion |
download PDF |
| Triads in 2nd Inversion |
download PDF |
| Typical Key Schemes and General Plans for Baroque Improvisation |
download PDF |
| Unusual Diatonic Chords in Baroque Minor |
download PDF |
| Untitled Baroque (1984-01-14) |
download PDF |
| Untitled Baroque Counterpoint Etude (Ted Greene) |
download PDF |
| |
|
| Baroque Ideas |
| Baroque Idea #1, 1984-02-03 |
download PDF |
| Baroque Idea #2, Baroquish 1st Inversion Studies |
download PDF |
| Baroque Idea #3, 1984-02-10 |
download PDF |
