| All Possible V-1 Voicings – Major and Dominant List |
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| All V-1 Voicings Organized by the Intervals |
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| Choice V-1 Dominant Functioning Chords |
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Choice -1 Dominants, Root on Top, Top 4 StringsV |
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| Choice V-1 for Top 4 Strings |
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| V-1, ii-V7-I on the Top 4 Strings, 1979-06-23 |
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| V-1, ii7-V7-I on Top and Middle 4 Strings |
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| V-1 by Intervals |
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V-1, Chord Voicings: ii7-V7-I with Connecting Chords |
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| V-1, Dominant 7th Chords, 1986-11-05 |
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| V-1 Dominants: #5 on Top |
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| V-1, Dominants: 13th on Top (Top 4 Strings) |
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| V-1, Four-Note Upper Partial Chord Rows |
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| V-1, Introduction to V-1 Major Colors on Mid-Low Strings |
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| V-1, Learning Chord Forms Thru Chord Rows |
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| V-1, Long String Cross Chains with V-1 Major Types, 1986 |
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| V-1, Major Colors on the Middle and Low Strings, 1986-08-20 |
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| V-1, Major Pentatonics |
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V-1, Major Type Colors – Middle Strings 1986-08-19,
(optional ascending) |
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V-1, Major Types with String Crossing on the Higher Sets (mainly),
1986-08-18 |
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| V-1 Middle Strings: The 35+8 Systematic Inversions |
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| V-1, Minor 7 Chord Studies |
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| V-1 Minor 7th Streams as ii7 or vi7 |
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| V-1 Minor 7th Types – Close Harmony-Derived Voicings |
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| V-1, More Exercises to Learn V-1 m7 3rd Stack Types |
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| V-1 Outline – Seeing Modern Close Harmony Voicings |
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V-1, The Seven Basic Qualities and Their Systematic Inversions,
top string set |
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V-1, The Seven Basic Qualities and Their Systematic Inversions,
middle string set |
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V-1, The Seven Basic Qualities and Their Systematic Inversions,
bottom string set |
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| V-1, Symmetrical String Crossings with V-1 Major Sounds |
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|
V-1 Voicings – All 35 Types on Top 4 Strings |
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