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2-Note Melodic Patterns in Pentatonic
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| 3rd Stacks and Runs in 3rds |
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| ii7 V7 I Single Line Runs |
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| 4-Note Arpeggio Fragments |
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4-Note Groups for Pentatonic
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4-Note Pentatonic Melodic Patterns for Single-Line and Harmonized Studies |
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| 8-Note Dominant Scale – Learning in ii7 - V7 - I Runs |
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| 8-Note Dominant Scale, Asc. Melodic Fragments as Learning Tools |
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| 8-Note Dominant Scale, Desc Melodic Fragments as Learning Tools |
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| The 7#9scale: Very Bluesy |
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| Adding Spice to Major Scales |
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| All the Things You Are – Chord Tone Outline for SNS |
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| Applying Altered Dominant Color |
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| Arpeggio Fragments |
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| Arpeggio Patterns (1976, 1984) |
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| Arpeggios and Altered Dominant Sounds |
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| Arpeggios for High Register (Extra) |
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| Arpeggios with Extensions |
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| Bb7 and G7 Runs |
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| Chord Forms for Visualizing Scales, Arpeggios, and Runs |
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| Chord Tone Outlines: ii - V7alt – I |
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| Chord Unfoldment |
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C Major Arpeggio Runs |
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| C# Harmonic Minor – Scale, Modes, Arpeggios |
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| Condensed Arpeggios |
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| Descending 5ths, Ascending 5ths and their Combination |
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| Diatonic Harmonic Minor Arpeggios |
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| Diatonic Melodic Minor Arpeggios |
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| Diatonic Major Scale Runs, Part 1, 2nd Position |
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| Diatonic Major Scale Runs, Part 2, 4th Position |
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| Diatonic Major Scale Runs, Part 3, 5th Position |
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| Diatonic Major Scale Runs, Part 4, 7th Position |
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| Diatonic Major Scale Runs, Part 5, 5th Position |
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| Diatonic Major Scale Runs, Part 6, 6th Position |
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| Diatonic Major Scale Runs, Part 7, 8th Position |
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| Different Tonalities in D |
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| Diminished 7th Sounds - part 1 (1976, 1977 & 1978) |
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| Diminished 7th Sounds - part 2 (1977) |
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| Diminished 7th Sounds - part 3 (1977) |
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| Diminished 7th Sounds - part 4 (1977) |
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| Dominant 7th Sounds – Step 1 (Parts 1-3) |
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| Dominant 7th Sounds – Step 1 (Parts 4-7) |
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| Diminished Runs |
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| Dominant 7th – Cumulative Single-Line Resources |
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| Dominant 7th Runs (parts 1 & 2) |
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| Dominant 7th Runs (parts 3 & 4) |
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| Dominant 7th Runs (parts 5 & 6) |
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| Dominant 7th Runs (parts 7 & 8) |
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| Dominant 7th Scales - part 1 (1975-07-15) |
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| Dominant 7th Scales - part 2 (1976-04-18) |
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| Dominant Runs |
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| Dominant Type Chord Forms (Group 4) – Altered Dominants |
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| Double 4-Note Chord Tone Rows as Way to Learn Overtone Dominant |
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| Double-Line Playing: Density #1 (physical layout page) |
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| Double-Line Playing – Preparatory Page for Learning |
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|
Eb7#9 Pentatonic |
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| Exotic Scales |
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| Good Single-Line Sequences (1980-1983) |
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| Harmonic Minor Single Note Scales |
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| Imitation and Melodic Patterns (1978-02-09) |
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| Important Arpeggios |
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| Japanese Scale |
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| Learning Altered Dominant Sounds – Type 1 |
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| Learning Altered Dominant Sounds – Type 2 |
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| Learning Altered Dominant Sounds – Type 3 |
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| Learning Minor7 Sounds in Context: I - biii7 - ii7 - V7 – I |
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| Learning the Dominant 7th Scale in Context: I - bVII7 |
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| Learning to Hear and Play Dorian and Aeolian Melodies |
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| Lenny Breau Flamenco-Type Runs |
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| The Lydian Scale |
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| Major and Minor Scales, Chords, Arpeggios |
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| Major Chord Runs Using Only Chord Tones |
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| Major Chord Runs (More) |
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| Melodic Minor Single-Note Scales (1974-12-18) |
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| Major Scale Sounds for Single-Note Playing |
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| Melodic Patterns (1978) |
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| Melodic Patterns – Key of C (1974) |
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| Melodic Patterns, Key of C (1974-02-19) |
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| Melodic Patterns (1976-10-19) |
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| Melodic Patterns in C Dominant Half-Whole Scale |
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| Melodic Patterns Repeated at the 4th |
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| Melodic Patterns – Specific Intervals (1978-07-08) |
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Melodic Patterns Worksheets |
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| Middle Two Strings of the Guitar: Major Scale - all 7 Segments |
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| Minor 7b5 Sounds and Scales (1975-07-25) |
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| Minor 7th Colors for Single-Line Playing |
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| Minor 7th Family Runs |
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| More on Playing Through Changes – Basing Your Solo on Condensed Arpeggios |
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| Multi-Position Blues Run |
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New Diatonic Melodic Pattern Practice Program |
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Newest Organization of Pentatonic Favorite Scales |
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New Plan for Me to Finally Learn Double Line Textures |
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| Overtone Dominant 7th Runs |
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| Pentatonic Major |
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Pentatonic Melodic Combinations for Single-Line
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| Pentatonic Melodic Patterns (1979-02-20) |
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Pentatonic Melodic Patterns for Sustaining or Single-Line
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Permutations of 4-Note Groups
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| Playing in One Position |
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| Playing Through Changes |
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| Playing Thru Changes, More – Basing Your Solo on Arpeggio Fragments |
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| Playing Thru Changes Using Arpeggios |
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| Playing Through Chord Changes in Position |
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| Polyrhythmic Diatonic Triads in the Major Scale |
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| Position Playing on iim7b5 - V7alt - i6 |
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| Practice Pattern to Learn Dominant 7th Scales |
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| Red River Valley |
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| Scale Hearts - Dominant |
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| Scale Studies (private lesson for Joe) |
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| Scalular Rainbow |
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| Single Note Playing - parts 1 thru 4 |
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| Single-Note Playing in Minor Keys |
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| Single-Note Scales for All Diatonic Chords from Scale |
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| Single-Note Soloing Over I-VI-ii-V in G Major |
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Single-Note Student Practice and Teaching Ideas |
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| Suggested Practice – and – Progressions for Soloing Over |
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Sustained Melodic Patterns Coalescing in Modern Chords |
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| Sustained Scale and Slide Sounds in the Pentatonic Scale |
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Turnarounds (Single-Line) |
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Useable Pentatonic Scales |
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Using Chromatic Tones, Triads, and ? |
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| Visualizing and Fingering m7b5 Runs |
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| Whole-Tone Scale: Melodic Patterns |
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